Sunday, February 28, 2016



Form Expansion and Organization [based on particular found forms]


BAND 
STRUCTURE
ARCING FORM
HEAVY WEIGHT DIVIDER 
TRANSITION FROM ONE SPACE TO ANOTHER
TOPOGRAPHICAL WALL
VOLUMETRIC LINE 
EXPLICIT MARK 
EXTRUDED PLANE 

DISTORTION OF INFORMATION
TRANSFORMATION
TUBE
VOLUME
CURL
BEND
SYNTHETIC
MARK 
WAVE FUNCTION 
CONTINUOUS PULL
PIPE
ARM
TENTACLE 

PLANE
PARALLEL TO PICTURE PLANE 
SURFACE 
RAW 
BASIC 

DATA MOSH?

Tuesday, October 27, 2015

Covering one's tracks results in dislocation - painting in the dark 

What becomes familiar must be buried, paradoxically revealing something more familiar and found 

The middle is no place to remain, move left / right revealing the new 

Tuesday, September 23, 2014

What is being concealed and in what way?

Why do I like this?

Why do I hide, camouflage?

How do you signal to the audience?

How to make them self consciously bad?

Conceal/Reveal

What and How

Why?

What can we see under the cover?

Under what conditions can my work be seen?

Do something egregious 

Try do undo the things you naturally do

Make something as clear and transparent as possible

Ambiguity VS Clarity


Intention VS Reception

Work in the negative



Saturday, September 20, 2014

Definitive Statements that have a purpose 

I am an artist and I refuse to commit.  
I hesitate and am profoundly ambivalent.  
This is my starting point and now I am lost, overwhelmed and my hesitation is crippling.  
Very little makes sense to me.
I hide behind my paintings, not allowing the viewer to see me standing at a distance as decoration, caring very little. 
I am nervous fractured and agreeable, overwhelmingly suspicious of everything that I see and everyone that I talk to.  
I am strategic and can see that you are too.  
My indecisiveness resonates through me and relays itself with precision.


Ambivalence

refusal to commit

hesitation

camouflage 

actively disagree with oneself

actively engaged

there is so much

i don't care much either way

hesitant

anxious

nervous

stands at a distance

refuses to let anyone in

landscapey

fuck these up

remember the actor

the representational
element
that
conveys

specific 
language

these need to be more aware of themselves

sit much less comfortably

less reasonably 

less politely

definitively indecisive


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